Plot: Dido Belle, the illegitimate mixed-race daughter of a Royal Navy officer, is brought to England by her father and left in the care of his uncle, Lord Mansfield, the Lord Chief Justice, at his estate of Kenwood House. Though the social mores of the time make her an outsider, Dido is raised by Mansfield as an aristocrat alongside her cousin Elizabeth. Dido's burgeoning relationship with a young lawyer, John Davinier, meets with the disapproval of Mansfield who considers the match beneath her. At the same time Mansfield is deliberating on a slavery case that will advance the cause of the Abolitionists.
The film is inspired by the 1779
painting of Dido Elizabeth Belle beside her cousin Lady Elizabeth Murray. Commissioned by William Murray, 1st Earl of
Mansfield, then Lord Chief Justice of England
and Wales, the portrait of his two nieces hung in England's Kenwood
House, until 1922. The painting,[14]
once thought to be by Zoffany and now attributed to an unknown artist, hangs at
Scotland's Scone
Palace. It was one of the first portraits to portray a black subject on an
equal eye-line with a white aristocrat.
Very little is known about Dido
Belle's life in the Mansfield
home. The film centers on Dido's relationship with an aspiring young lawyer and
is set at a time of legal significance as the potential ramifications of the Zong
massacre become apparent. Lord Mansfield's ruling on this infamous case, in
England's Court of King's Bench, became an important
step in bringing an end to slavery in England.
Terry
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